centrul de actiune poetica
POETICILE COTIDIANULUI
sezonul X
Republica poetica
Din luna octombire vom demara sezonul X al poeticilor cotidianului. Dupa 106 intalniri cu sigla Literaturi in Miscare, poeticile se regrupeaza ca Republica poetica. Noul concept si isi propune sa prezinte care mai este astazi puterea poeziei din perspectiva unor scriitori contemporani.
Vom avea intalniri care includ o discutie despre poezie si scris (interviu live) si cateva momente de lectura din poezia a cel putin doi scriitori invitati.
Ziua traditionala a poeticilor cotidianului este joia, iar ora de incepere este ora 18.00. O intalnire dureaza intre 60 si 90 de minute.
poeticile relationale
directii
fundamentari
casa de poezie- structura, retea, tu.
poeticile cotidianului- eveniment, eu.
formulari
corpuri romanesti- organizari, asumari, etic, eu – literaturi in miscare.
corpuri romanesti- fetis, instrument, contextualizare, poetic- republica poetica
POEZIA TA LA C.A.P.- O data cu implinirea a 4 ani de poeticile cotidianului intalnirile din club a isi asteapta publicul sa arate ce stie. Inscrieti-va joi, cu zece minute inainte de ora 18.00 a poeticilor cotidianului si puteti prezenta timp de cinci minute la Poeticile cotidianului, poemele dumneavoastra vorbite. SLAM sau POEZIE VORBITA, POEZIE TRADITIONALA sau EXPERIMENTE, POEZIA TA da piept cu publicul.
acesta nu este un cenaclu, deci nu va fi vorba despre comentarea textelor dumneavoastra. Este vorba doar despre o prezentare publica asa ca vor fi textele dumneavoastra pentru 5 minute fata in fata cu reactia publicului.
Incepand cu 2008, c.a.p. este o sectie a casei de poezie.
I obiective
- Accentuarea dimensiunii creative si detensionarea contextului axat pe vedete (poetice)
- Propunerea unor demersuri de structurare a fondului poetic viu
- Prezentarea de oportunitati de dezvoltare pentru proiectele in desfasurare
- Baza de date- poezie contemporana
lucrurile au inceput cu o lista de lucruri care lipsesc si o lista de lucruri care sunt intelese gresit atunci cand e vorba despre poezie.
lipsesc:
-intalniri intre poetici nu poeti
-constructii teoretice clare
-posibilitati de dezvoltare a unor proiecte conexe poeziei
se intelege gresit:
-este vorba despre poeti in loc sa fie vorba de poezie
-succesul este confundat cu viabilitatea poeziei
in curand mai multe
si acum: poeticile cotidianului
Savin BADEA spus
Savin BADEA on April 5th, 2008 at 5:48 pm
N-are rimă, n-are ritm, n-are nimic!
casa de poezie on April 6th, 2008 at 12:17 am
auziti, domnu’ Badea nu vreau sa va traumatizez lumea, dar, stiti exista si altfel de poezie decat cu versuri cu forma fixa, rima si ritm.
Savin BADEA on April 9th, 2008 at 1:56 am
Altfel de poezie? Voi, snobii, numiţi poezie bucata literarară care (de fapt) este o schiţă lirică, un “proiect de poezie”, zic eu, fie chiar genial(ă), nicidecum poezie-poezie. Această “altfel de poezie” este scrisă de toţi leneşii pămîntului! Nu-s chiar incult, dar refuz titlul de poezie acestor lucrări literare, – eu şi numai eu – opinia restului lumii nu mă interesează, atît timp cît ne dăm contre, fără un minim efort de pricepere. Nu-s răutăcios, asta e opinia mea în materie de critică literară asupra versului liber, alb. Eu nu vă recunosc o “altfel de poezie” ca poezie, iar voi nu-mi luaţi decît în derîdere opinia – aşa că, într-o lume mai bună, voi da peste unii mai deştepţi, care să-mi dea dreptate. Şi Maiakovski scria versuri albe în cascadă – o invenţie culturală – mai ştiţi ceva despre Maiakovski? Cîţi mai recită, “pe dinafară”, “poezii” cu versuri albe? Ce melodii s-au mai făcut pe bază de versuri albe? Daţi-mi exemplu o poezie din folclor, care este transcrisă în vers alb. Nu basme africane. Nu vreţi să înţelegeţi un lucru simplu: că vă este lene să vă exprimaţi în versuri cu rimă şi ritm. Nu vreau să desfiinţez astfel de poeţi, ci să-i ajut să înţeleagă ce greu e să fii poet: şi genial şi cu idei şi cu rimă şi cu ritm, cu figuri de stil, cu tot ce vrei… “divin de buni”. Cu respectul cultural pe care îl meritaţi, desigur, al Dvs., Savin BADEA. PS. Vedeţi? Nu mi-aţi traumatizat lumea, ci mi-aţi ridicat mingea la fileu, s-o facem mai bună.
casa de poezie spus
Asta si speram, ca nu o sa vi se distruga referintele. Nu am nici o problema cu orice parere ati avea despre poezie, doar ca, din pacate exista o intreaga cultura a dezvoltarilor teoretice pe marginea poeziei ca gen literar. Si nu doar ca despre Maiakovski se stiu mai multe decat despre 10 Adrian Paunescu sau Dimitrie Anghel, dar, pe de o parte
In mod paradoxal poate eu cred ca daca lipseste ceva din poezia romaneasca de azi este chiar zona pe care o indicati dumneavoastra, o zona de poezie care foloseste forme clasice, rima ritm etc dar reuseste sa acroseze o problematica de azi. Si nu ma refer la platitudini sentimentaloide, ori la jocuri facile de rime. De exemplu, cineva s-a gandit undeva la poezie de acest fel cu filon epic. Si a fost in ultimii 20 de ani unul dintre cele mai puternice curente.
Sincer, nu inteleg agresivitatea pe care o afisati, din moment ce pareti o persoana care poate sa sustina cu argumente lucrurile pe care le lanseaza.
Va multumesc pentru argumentele pe care le-ati pus in discutie aici.
Savin BADEA spus
Comentariu la “Torţionarii poeziei” de Gabriel MIREA de la “Poemele de lîngă noi”:
Savin BADEA on April 25th, 2008 at 6:04 pm
Dragă Gabriel,
În general, ai dreptate în ce ai scris mai sus. Dar hai să despărţim apele: una este poezia (mai scurtă) , alta e poemul (o poezie foarte lungă şi cu “un filon epic”, care povesteşte ceva). Una este să fii poet versificator (cu ritm şi rimă) şi alta e să “aiurezi” în vers liber, alb, într-un “proiect de poezie”, cum am mai scris. Nenorocirea e alta: că poeţi sau proiectanţi de poezie sînt o puzderie, iar critici literari care să evalueze ştiinţific aceste producţii literare nu mai sînt, cu “desăvîrşire”. Mai scrii dumneata cîteva generalităţi şi ai dreptate, dar cu asta ce-am făcut? Puzderia de “poeţi albi” (care sar să te sfîşie) au torturat şi pe potenţialii critici literari, pînă ce şi aceştia s-au lepădat de meserie. Savin BADEA
casa de poezie spus
Imi pare rau pentru botez. Dar e incredibil de obositor ca lumea e plina ede oameni care au pareri despre poeziile altora si foarte putini care isi vad de poezia lor.
Dar poate e sanatos sa fie obositor
Savin BADEA spus
Nu este voie să-ţi dai cu părerea despre ceva, chiar şi despre o poezie? Criticii literari se numesc “obositori”? Un poet nu poate fi şi un critic literar (obositor), în aceiaşi persoană ? Criticaţi-mi, vă rog, poeziile, ca să le îndrept, dar cu bună intenţie, obiectiv. Cu mulţumiri anticipate, Savin BADEA
mr. kalm spus
poeţii latini nu scriau cu rimă, e o “invenţie” a orientului reluată în evul mediu occidental şi în poezia (cânturile) bisericeşti, ajungând la o aproape totală epuizare în secolul XX. secol care a dat vreo 20-30 de poeţi mari, imenşi pentru orice epocă şi perioadă culturală care nu au scris un vers cu ritm şi rimă. restul sunt opţiuni şi preferinţe, dar şi multă ignoranţă, cred – şi mai ales nişte “ochelari de cal” mari cât toate zilele
casa de poezie spus
Mr Kalm,
ai dreptate si abia astept liste.
In acelasi timp, ma gandesc si la faptul ca atunci cand nu exista rima, existau reguli pentru poezie (metru, forme fixe orientale, etc). Cine poate sa mai puna degetul pe regulile de azi…
uite o lista de forme si termeni
pentru limba engleza si inca ceva despre forme poetice orientale
Acrostics
Excellent discussion and illustration of the single, double, and triple acrostic. Written by Smitha Chakravarthula on the Poetic Nest site.
Acrostics
Al Rocheleau, online poetry guru on the Orca forum, gives a thorough, understandable explanation, with example.
Ballad
Al Rocheleau’s thorough, understandable explanation, with example. From the Orca forum.
Ballad
Wikipedia article. Brief definitions of several types of ballads, with links to a wide variety of samples.
Ballade
Not to be confused with the Ballad. From Larry Gross’s theWORDshop pages of poetry forms. The Ballade adapted from French into English by Geoffrey Chaucer, is a member of the large Rondeau family.
Ballade
Bob Newman’s explanation of the form, including variations; example is included. Not to be confused with the ballad.
Blank Verse
Al Rocheleau’s thorough, understandable explanation, with example. From the Orca forum.
Blank Verse
Definition, with history of its development and links to abundant examples. Wikipedia.
Blank Verse
From The Craft of Poetry, a poetry course devised by Vince Gotera and Damon McLaughlin.
Cinquain
John Hewitt’s intro to the cinquain, with examples.
Cinquain
AHA!Poetry’s cinquain page with brief definition and contemporary samples.
Cinquain
Excellent definition and examples, with several links to other sites, including the complete Adelaide Crapsey cinquains. From the dmoz Open Directory Project.
Cinquain
Amaze: The Cinquain Journal.
Cinq-Cinquain
A sequence of five cinquain; from the French: “five groupings of five.”
Clerihew
“How to Write a Clerihew,” from Poetry4Kids.com. Clear and simple definition, but it is all you need to know to write one; with examples.
Clerihew
From Wikipedia. Brief definition, with examples, including “The World’s shortest Clerihew.”
Clerihew
Clear explanation, with examples from Thinks.com, where you will find lots of other fun with words.
Couplet
From The Craft of Poetry, a poetry course devised by Vince Gotera and Damon McLaughlin.
Dorsimbra
Created by Eve Braden, Frieda Dorris and Robert Simonton; contains three quatrains, each requiring a different pattern.
Dramatic Monologue: An Introduction
Brief explanation with links to other discussions of the form.
Epistle
John Hewitt’s informative intro to the Epistle, with an example.
Grossblank
A form created by Larry Gross, patterned after blank verse. This is his explanation of the form, with example.
Kyrielle
Originally a medieval French verse pattern adapted into English. From Larry Gross’s theWORDshop pages of poetry forms.
Lento
A quatrain with rhyme patterns at both the beginning and ending of lines. Created by Lencio Dominic Rodrigues. Definition, with examples.
Limerick
From The Limerick Special Interest Group. Along with the next item, the best online sites I’ve seen for the form.
Limericks Just for the Fun of It
Excellent. Includes “a Dozen How-to Tips for Beginners.”
Limerick
The dmoz Open Directory Project, a handy list of links to other limerick sites.
The Limerick
Robert Lo’s intro to the limericks with examples.
Little Willie
Created in 1902 by Harry Graham, this nonsense quatrain has much in common with the limerick. From Larry Gross’s theWORDshop pages of poetry forms.
The Ode
Intro to the basics of writing an ode, including the Pindaric and Horatian .
Ode
Encarta’s discussion of Classical and Modern odes, with many links to examples.
The English Ode
Links to discussions of the ode.
The Palinode is a song, discourse or poem recanting a previous one. It has a lengthy history in both serious and humorous verse. From Larry Gross’s theWORDshop pages of poetry forms.
Pleiades
A single seven-line stanza conceived in 1999 by Craig Tigerman, Lead Editor of Sol Magazine.
Quatrain
From The Craft of Poetry, a poetry course devised by Vince Gotera and Damon McLaughlin. Includes a discussion of the pantoum.
Sestina
From The Craft of Poetry, a poetry course devised by Vince Gotera and Damon McLaughlin
Sestina
Al Rocheleau, online poetry guru first with Atlantic Monthly then with the popular Orca forum, gives a thorough, understandable explanation, with example.
Sestina
Excellent how-to article by Ariadne Unst, “The Sestina Verse Form.”
Sestina
From Larry Gross’s theWORDshop pages of poetry forms. Most sestinas take a serious road. This definition includes a humorous example.
Sonnet
“The Sonnet Verse Form” by Joan Zimmerman: An excellent introduction, explaining differences and characteristics of a good many variations of the form.
Sonnet
Al Rocheleau, online poetry guru first with Atlantic Monthly then with the popular Orca forum, gives a thorough, understandable explanation, with example.
Sonnet
From The Craft of Poetry, a poetry course devised by Vince Gotera and Damon McLaughlin
Sonnet Central
Best sonnet site around. Definitions, instructions for writing, articles and sonnets from 600 years of sonneteers, from Petrarch to the 20th century, plus a Sonnet Magnet board for instant composing and other attractions as well; you can even submit poems to the site and read those of others.
Tercet
From The Craft of Poetry, a poetry course devised by Vince Gotera and Damon McLaughlin
Tercet and Triad
John Hewitt’s brief intro to the 3-line verse pattern, with examples.
Terza Rima
Smitha Chakravarthula defines and illustrates this verse pattern adapted from Italian poets of the 13th century. Includes helpful hints on using meter and rhyme.
Triolet
The oldest of the various Round forms from 13th century France, From Larry Gross’s theWORDshop pages of poetry forms.
Triolet
“”The Triolet Verse Form” by Joan Zimmerman, a practical how-to.
Tritina
A 10-line pattern modeled on the Sestina: three 3-line stanzas plus a final line .
Villanelle
Al Rocheleau of Orca forum gives a thorough, understandable explanation, with example.
Villanelle Verse Form
Ariadne Unst’s explanation and example.
Villanelle and Terzanelle
From The Craft of Poetry, a poetry course devised by Vince Gotera and Damon McLaughlin.
ASIAN-INSPIRED FORMS
Climbing Rhyme
Larry Gross’s introduction to a simple form of this ancient Burmese verse pattern.
Burmese Climbing Rhyme
Smitha Chakravarthula’s explication of the pattern seems to be taken from my earlier article (See above entry), but she has added illustrations of two specific forms: the Luc Bat and the Than Bauk.
Ghazal
“Basic Points about the Ghazal,” by Agha Shahid Ali. One of the few sites which stress the “canonical form of the ghazal ” as opposed to looser modern variations.
Ghazal
Four informative articles and several examples; from AHApoetry.
Ghazal
“The Ghazal Verse Form,” a good article by Len Anderson, from Ariadne’s Web.
The Haibun
Beth Vieira’s “Haibun: Haikai Prose” from Ariadne’s Web. Brief but good intro to the form.
Haijinx
An international online journal stressing the role of humor in haiku. Links to other sites.
Haiku
Helpful access to how-to’s, articles and examples. Includes a dictionary of season words and links to other sites. From AHApoetry.
Haiku
Larry Gross’s definition, explanation and examples.
Haiku
Joan Zimmerman’s helpful introduction to “The Haiku Verse Form,” from Ariadne’s Web.
Haiku: Beyond the 5-7-5
Al Rocheleau’s understandable explanation of haiku and senryu, with examples.
Haiku
Definition of Haiku by Alexey Andreyev. Point by point discussion of how to make a haiku, with good examples.
Haiku Is What?
Ruth Davidson’s fine introductory article on haiku.
Haiku Universe
Dhugal J. Lindsay’s excellent site on haiku; also links to tanka, renga, renku, and the difference between haiku and senryu.
Links to Please
Elizabeth St Jacques’ links to haiku, tanka, renga and sijo sites.
Pantoum
Ariadne Unst’s introduction to “The Pantoum Verse Form.”
Pantoum
Al Rocheleau’s thorough, understandable explanation, with example.
Pantoum
Bob Newman’s easy to understand explanation, with example.
Pantoum
Damon McLaughlin deals with the Quatrain and the Pantoum as one example.
Poetry In The Light
Elizabeth St Jacques provides a variety of information and examples for haiku as well as for haibun, renga, rengay, dodoistu, tanka and sijo.
Renga
“What Is a Renga?” Larry Gross’s basic introduction to this ancient Japanese pattern, with examples and a template for seasonal renga.
Renga: The Four Elements Renga
A new variation on the ancient renga pattern, with example.
Rengay Verse Form
Extensive discussion by Joan Zimmerman, with examples. Explains the differences between rengay and renga/renku.
Renku Home
William J. Higginson’s extensive explanations of renku and other linking patterns. Includes an article on the differences between renga and renku.
Rubáiyát
Ariadne Unst’s “The Rubáiyát Verse Form”: one of the more understandable explanations of this pattern.
Sijo
Larry Gross’s extensive explanation of classical sijo, with abundant examples and links to other pages.>
Sijo
Elizabeth St Jacques excellent and extensive site for sijo.
Sijo
AHApoetry presents an introduction to the form, with examples; based on articles by Larry Gross.
Sijoforum
An email forum for posting anything and everything about sijo. Open to all. Hosted by Larry Gross.
Tan Renga
Larry Gross’s “The World of Tan Renga” explains the form and adds many examples.
Tanka
Joan Zimmerman’s introduction to “The Tanka Verse Form.”
Tanka
Informative definitions, articles and history, with examples and links to other sites. From AHApoetry.
Tanka
Richard MacDonald’s explanation, with historical background on tanka, sedoka and choka.
Tanka: American Tanka
Journal founded in 1996; dedicated exclusively to contemporary English-language tanka. You’ll find the definition of tanka in the History link.
Tanka and Sijo
Neca Stoller’s definitions and examples for tanka, sedoka, sijo and haibun, with links to other sites and markets.
Whitney
Created by Betty Ann Whitney, this seven-line pattern contains 3, 4, 3, 4, 3, 4, 7 syllables respectively.
GLOSSARIES OF LITERARY TERMS
All American: Glossary of Literary Terms
Alphabetical compilation by students at the University of North Carolina at Pembroke.
Bob’s Byway’s Glossary of Poetic Terms
Probably the most widely-known and most-used glossary on the Internet, with cross-references and informative sidelights.
Craft of Poetry
A course taught at the U of Northern Iowa; provides clear definitions and illustrations of 7 poetry forms and 7 important poetry characteristics: Style, Repetition, Rhyme & Music, Line & Meter, Imagery, Form, and Tradition.
Gale’s Glossary of Literary Terms
Extensive,reliable glossary with extensive cross-references.
Glossary of Literary and Rhetorical Terms
Compiled by Prof. Jack Lynch. Section on poetry is limited, but this offers pathways to other literary terms plus useful sections on literary history, genres and theory. Arranged by categories.
Glossary of Literary and Rhetorical Terms
Another list by Jack Lynch, this one arranged alphabetically.
Glossary of Literary Terms
Prof. Robert Harris’s extensive and reliable glossary, with easy access to its companion site, Handbook of Rhetorical Devices. Easily searchable:
Glossary of Poetic Terms
Extensive list from the U of Toronto English Library (UTEL). Thorough illustration of various sonnet forms.
Handbook of Rhetorical Devices
Extensive dictionary of rhetorical devices and figurative imagery. Companion site to Harris’s Glossary of Literary Terms. Each has entries not found in the other.
Literary Terms
Fairly extensive list, with abundant examples from poetry.
LitGloss
Extensive list of terms, though most descriptions are brief. From Bedford/St. Martin’s Publ.
The Poets Garret
Not a glossary exactly. It offers clear, understandable history and background to poetic styles and forms from around the world, then defines the styles and forms and, in most cases, gives examples. By Terry Clitheroe.
Virtual Classroom Glossary of Literary Terms
Definitions of terms used in the Virtual Classroom for English, University of Cambridge. Go here for an extensive list of other sites valuable to poets.
Rodica spus
Ma bucur sa vad ca mai devreme sau mai tarziu munca poetica a fiecaruia dintre noi poate fi valorificata, caci fie si pentru putin timp, imi pierdusem speranta…
Poezia curge prin sufletul fiecaruia dintre noi, depinde insa de fiecare din noi daca deschidem poarta acestei dimensiuni…Ea aduce lumina in suflete, drum spre eternitate, simtiri si sperante…
Sunt cititor si scriitor, poet impatimit…dar situatia financiara si materiala nu mi-a permis niciodata sa imi duc visul la indeplinire.
Nu am reusit decat sa public un volum de versuri si un al doilea (o antologie) in care apar nominalizata…
Ni am incetat sa sper ca odata, voi putea face parte din tagma scriitorilor cunoscuti…
romanianbodies spus
ma bucur, la randul meu ca puteti sa pastrati vie aceasta dorinta, dar mai important mi se pare faptul ca reusiti sa fiti interesata de poezie.
daca imi permiteti o parere personala, orice poet, oricat de cunoscut ar fi cred ca tot in intimitatea pe care poate sa o aiba cu pasiunea sa pentru poezie poate sa gaseasca, asa cum spuneti dumneavoastra, lumina.